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Drama
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People
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Professor of German -
Graduate Student -
Max Kade Graduate Fellow -
Associate Professor of German Studies, Graduate Programs Coordinator, Acting Chair
News
- News from our Graduate Students: Inga Schwemin (October 24, 2022)
- New Faculty Publication by Brigitte Prutti: Franz Grillparzer, Neue Lektüren und Perspektiven (May 10, 2022)
- Interdisciplinary Graduate Student Conference (June 11, 2019)
- New Faculty Publication by Ellwood Wiggins: Selected Works by J. M. R. Lenz (April 3, 2019)
- Interdisciplinary Graduate Student Conference 2019 (March 20, 2019)
- Sympathy for the Devil (German 385) Team Projects, 2017 (June 13, 2018)
- German 304 Student Production: Leonce und Lena (June 12, 2018)
- German 304 Student Production: Leonce und Lena (May 21, 2018)
- Languages Matter: Why we learn German - Elijah Pasco (Linguistics and Drama double major) (April 16, 2018)
- News from our Graduate Students: PhD Candidate Kristina Pilz (March 12, 2018)
- Prof. Morgan Koerner on the Thematic Approach to Theater Practica (June 20, 2012)
Research
- Ellwood Wiggins, "Stage of Exception: Politics and Theater in Shakespeare's Troilus and Cressida," Early Modern Literary Studies 22:2 (2022). Learn more
- Birthe Hoffmann, Brigitte Prutti; Franz Grillparzer, Neue Lektüren und Perspektiven; A. Francke Verlag, 2022 Learn more
- Brigitte Prutti. „#MeToo: Don Cäsar und Lukrezia. Kollateralschäden in Grillparzers Bruderzwist in Habsburg.“ In: Philologie im Netz 90 (2020), pp. 35-86. Learn more
- Ellwood Wiggins, "Enduring Myth: The Survival of the Unfit in Sophocles, Heiner Müller, Ursula Krechel, and Hans Blumenberg," The Germanic Review: Literature, Culture, Theory, 95:2 (2020): 94-113. Learn more
- Ellwood Wiggins, Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespere, Goethe, and Kleist (Bucknell UP: Lewisberg, PA, 2019), Learn more
- Ellwood Wiggins, "Cold War Compassion: The Politics of Pity in Tom Stoppard’s Neutral Ground and Heiner Müller’s Philoktet," Literatur für Leser, 4-15 (2015): 255-269. Learn more
- Ellwood Wiggins, "Pity Play: Sympathy and Spectatorship in Lessing’s Miss Sara Sampson and Adam Smith’s Theory of Moral Sentiments," in Performing Knowledge, 1750-1850. Ed. Mary Helen Dupree and Sean B. Franzel. Berlin, Boston: De Gruyter, 2015. 85-112. Learn more
- Sympathy for the Devil: The Rhetoric of Compassion (German 390), Team Learning Projects, 2014 Learn more
- Hellmut Ammerlahn, “From Haunting Visions to Revealing (Self-) Reflections: The Goethean Hero between Subject and Object,” in: Goethe’s Ghosts. Reading and the Persistence of Literature. Eds. Simon Richter and Richard Block. Rochester, NY: Camden House, 2013, 97-108. Learn more
- Heilmann, Lena. "Performance, Fear, and the Female Body in Sophie Mereau-Brentano's "Die Flucht nach der Hauptstadt" (1806) and Elise Bürger's _Die antike Statue aus Florenz_ (1814)." Women in German Yearbook 29 (2013): 67-80. Learn more
- Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012): 179-192. Learn more
- Brigitte Prutti. Grillparzers Welttheater: Modernität und Tradition. Aisthesis Verlag: 2013. Learn more
- Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012): 179-192. Learn more
- Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012) 179-192. Learn more
- Hellmut Ammerlahn, "‘Key’ and ‘Treasure Chest’ Configurations in Goethe’s Works: A Comparative Overview in Poetological Perspective," in: Monatshefte 101/1 (2009), 1-18. Learn more
- Ammerlahn, Hellmut. Aufbau und Krise der Sinn-Gestalt. Tasso und die Prinzessin im Kontext der goetheschen Werke. Bern, Frankfurt/M., New York, Paris, 1990. 173 pages. Learn more