| Brandl, K. K. (2016). Task-based Instruction and Teacher Training. In N. van Deusen-Scholl (Ed.) Second and Foreign Language Education (pp.1-14). Vol.4. Springer Verlag. |
Publications, Essays |
Language Pedagogy |
| Brandl, K. K. (2016). Task-based Instruction and Teacher Training. In N. van Deusen-Scholl (Ed.) Second and Foreign Language Education (pp.1-14). Vol.4. Springer Verlag. |
Publications, Essays |
Language Pedagogy |
| Ellwood Wiggins, "The Myth of Tragedy: Fictions of Dialogue in Mendelssohn's Letters on the Sentiments and Shaftesbury's The Moralists," Lessing Yearbook/Jahrbuch, XLIII (2016): 35-54. |
Publications, Essays |
18th Century, Aesthetics, Comparative Literature, German, Intellectual History, Jewish Studies, Philosophy |
| Unglück und Zerstreuung: Autobiographisches Schreiben bei Franz Grillparzer, Aisthesis, Essay, Bd. 44, 2016 |
Publications, Essays |
19th Century, 21st Century, Literary Criticism |
| Ellwood Wiggins, "Cold War Compassion: The Politics of Pity in Tom Stoppard’s Neutral Ground and Heiner Müller’s Philoktet," Literatur für Leser, 4-15 (2015): 255-269. |
Publications, Essays |
20th Century, Classics, Comparative Literature, Drama, German, Reception Studies |
| "Visionen von Natur vor uns: Alfred Ehrhardt fotographiert und filmt Urformen der Natur." Studian Theodisca (2015). http://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6478. |
Publications, Essays |
Ecocriticism, Film/Cinema, German, Visual Arts, Visual Culture |
| "German Ecocriticism and the Environmental Humanities." German Studies review 38 (2015): 635-52. |
Publications, Essays |
21st Century, Animal Studies, Ecocriticism, Literary Criticism |
| Ellwood Wiggins, "Pity Play: Sympathy and Spectatorship in Lessing’s Miss Sara Sampson and Adam Smith’s Theory of Moral Sentiments," in Performing Knowledge, 1750-1850. Ed. Mary Helen Dupree and Sean B. Franzel. Berlin, Boston: De Gruyter, 2015. 85-112. |
Publications, Essays |
18th Century, Aesthetics, Comparative Literature, Drama, Performance Studies, Philosophy |
| Ellwood Wiggins, "Kleist's Four Causes: Narration and Etiology in Das Erdbeben in Chili" MLN 130.3 (2015): 580-606. |
Publications, Essays |
18th Century, 19th Century, Classics, Literary Criticism, Novel/Prose Fiction, Philosophy |
| Waldgänge und Waldgänger in Maja Haderlaps Roman Engel des Vergessens. In: Studia theodisca 21 (2014): 85-127. |
Publications, Essays |
19th Century, 21st Century, Austrian, Gender, Women, and Sexuality Studies, History, Literary Criticism, Literature |
| Krakenberg, Jasmin. "The Berlin School: Films from the Berliner Schule Edited by Rajendra Roy and Anke Leweke, Berlin School Glossary: An ABC of the New Wave in German Cinema Edited by Roger F. Cook, Lutz Koepnick, Kristin Kopp, and Brad Prager, The Counter-Cinema of the Berlin School by Marco Abel." Film Quarterly, Vol. 67, No. 3 (Spring 2014), pp. 86-89 |
Publications, Essays |
Film/Cinema |
| Sabine Wilke, "The Scientific Image in the Anthropocene: Models of Interconnectivity from Alexander von Humboldt to the Gridded Cartogram." Virtual Reality. Edited by Ulrich Gehmann and Martin Reiche. Bielefeld: transcript, 2014. |
Publications, Essays |
20th Century, Aesthetics, Media Studies, Visual Culture |
| Hellmut Ammerlahn, “From Haunting Visions to Revealing (Self-) Reflections: The Goethean Hero between Subject and Object,” in: Goethe’s Ghosts. Reading and the Persistence of Literature. Eds. Simon Richter and Richard Block. Rochester, NY: Camden House, 2013, 97-108. |
Publications, Essays |
18th Century, 19th Century, Aesthetics, Drama, German, Literature, Psychology |
| Heilmann, Lena. "Performance, Fear, and the Female Body in Sophie Mereau-Brentano's "Die Flucht nach der Hauptstadt" (1806) and Elise Bürger's _Die antike Statue aus Florenz_ (1814)." Women in German Yearbook 29 (2013): 67-80. |
Publications, Essays |
19th Century, Drama, Gender, Women, and Sexuality Studies, Performance Studies |
| "Anthropocene Poetics: An Ethics and Aesthetics for a New Geological Age." RCC Perspectives 3 (2013). http://www.carsoncenter.uni-muenchen.de/download/publications/perspectives/2013_perspectives/1303_anthro_web.pdf |
Publications, Essays |
Aesthetics, Ecocriticism, Postcolonial |
| Anthropocenic Poetics: Ethics and Aesthetics in a New Geological Age. RCC Perspcetives 3 (2013): 67-80. |
Publications, Essays |
Aesthetics, Philosophy, Poetry and Poetics, Postcolonial |
| Perspectives 3 (2013) |
Publications, Essays |
Aesthetics, Ecocriticism, Postcolonial |
| Sabine Frost, "Das Verschwinden im Randlosen. Marisha Pessls Special Topics in Calamity Physics," in: Den Rahmen sprengen – Anmerkungspraktiken in literarischen Texten, ed. Bernhard Metz and Sabine Zubarik (Berlin: Kulturverlag Kadmos, 2013) 90-105. |
Publications, Essays |
Literature, Textual Studies |
| Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012): 179-192. |
Publications, Essays |
Aesthetics, Drama, Performance Studies, Visual Arts |
| Nicole Calian. "'Es träumt mir von einer mir ähnlichen Person.' Lessings Miss Sara Sampson als Antwort auf den physiko-theologischen Diskurs zum Traum." 2013. |
Publications, Essays |
18th Century, German, Literature |
| Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012): 179-192. |
Publications, Essays |
Aesthetics, Drama, Literature and Other Arts, Performance Studies, Visual Arts |
| Ellwood Wiggins, “Depicting Artist and Viewer: Performed Aesthetics in Kālidāsa’s Śakuntalā,” The International Journal of the Arts in Society, 6/6 (Sept. 2012) 179-192. |
Publications, Essays |
Aesthetics, Drama, Literature and Other Arts, Performance Studies, Visual Arts |
| Richard Block, Michael DuPlessis. “Betrayal: A Treacherous Subject.” The New Centennial Review (2012): 1-16. |
Publications, Essays |
Critical Theory, German, Intellectual History, Literary Criticism, Literature |
| Richard Block. “The Bloody Price of Adoption: Betrayal and Absolution in Kleist’s “The Foundling.” The New Centennial Review. 2012. 27-52. |
Publications, Essays |
19th Century, Critical Theory, German, Literary Criticism, Literature |
| Sabine Wilke, Herbert Uerlings, Iulia-Karin Patrut (Hgg.). "Von der Kolonialfotografie zu Google Earth. Die Rolle des Erhabenen in der postkolonialen Ästhetik." Postkolonialismus und Kanon. Aisthesis Verlag: 2012. |
Publications, Essays |
German, Literature |
